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	<title>Voices | Carly McWilliams | Activity</title>
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				<title>Carly McWilliams wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4677</link>
				<pubDate>Tue, 24 Nov 2020 06:08:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>One of my favorite units in this class was the &#8220;When Faith Meets Activism&#8221; section of our syllabus, during which we read works like Warriors Don&#8217;t Cry and The Autobiography of Malcolm X. The literature and film [&hellip;] <img loading="lazy" src="https://religioninblackfilmandlit.voices.wooster.edu/wp-content/uploads/sites/344/2020/11/the-poet-x-198x300.jpg" /></p>
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				<title>Carly McWilliams wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4628</link>
				<pubDate>Thu, 12 Nov 2020 03:42:39 +0000</pubDate>

									<content:encoded><![CDATA[<p>Prompt 8</p>
<p>“So he had fallen:  for the first time since his conversion, for the last time in his life.  Fallen:  he and Esther in the white folks’ kitchen, the light burning, the door half open, grappling and bu [&hellip;] <img loading="lazy" src="https://religioninblackfilmandlit.voices.wooster.edu/wp-content/uploads/sites/344/2020/11/shutterstock_60178102.jpg" /></p>
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				<title>Carly McWilliams wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4581</link>
				<pubDate>Thu, 29 Oct 2020 14:07:19 +0000</pubDate>

									<content:encoded><![CDATA[<p>Prompt 3: I really enjoyed watching the documentary &#8220;All God&#8217;s Children&#8221; and learning about LGBTQ communities within Black churches&#8211;especially the Lavender Light gospel group and the personal experiences of [&hellip;] <img loading="lazy" src="https://religioninblackfilmandlit.voices.wooster.edu/wp-content/uploads/sites/344/2020/10/Phill-w-Maxine-Waters-.jpg" /></p>
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				<title>Carly McWilliams wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4540</link>
				<pubDate>Thu, 22 Oct 2020 01:10:47 +0000</pubDate>

									<content:encoded><![CDATA[<p>I was so excited that Aaron Coleman chose to recite many of the poems we read in class yesterday, including &#8220;A Fire She Loved&#8221; and &#8220;Another Strange Land: Downpour off Cape Hatteras (March, 1864).&#8221;  These two [&hellip;]</p>
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				<title>Carly McWilliams wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4516</link>
				<pubDate>Tue, 20 Oct 2020 03:15:16 +0000</pubDate>

									<content:encoded><![CDATA[<p>In Ernest Gaines&#8217; &#8220;The Sky is Gray,&#8221; I noticed a theme of pretending in many of the characters throughout the short story&#8211;narrated by James as &#8220;making &#8216;tend&#8221;. This theme is very noticeable with the main [&hellip;] <img loading="lazy" src="https://religioninblackfilmandlit.voices.wooster.edu/wp-content/uploads/sites/344/2020/10/james_sky_is_gray.jpg" /></p>
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				<title>Carly McWilliams commented on the post, Boycott&#039;s Music Symbolism, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/10/14/boycotts-music-symbolism/#comment-130</link>
				<pubDate>Sat, 17 Oct 2020 16:13:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>That makes sense!!! Thanks Maya 🙂</p>
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				<title>Carly McWilliams commented on the post, Boycott&#039;s Music Symbolism, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/10/14/boycotts-music-symbolism/#comment-121</link>
				<pubDate>Thu, 15 Oct 2020 13:08:08 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Maya! Thanks so much for this post! I was on the side that 4 Little Girls had a stronger ending than Boycott, but your point about the music/song lyrics representing Dr. King&#8217;s life and work make me appreciate [&hellip;]</p>
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				<title>Carly McWilliams commented on the post, The Power in the Ending of BOYCOTT, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/10/12/the-power-in-the-ending-of-boycott/#comment-120</link>
				<pubDate>Thu, 15 Oct 2020 13:02:32 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Maud! Thanks for sharing this post! I really like your interpertation of the ending of Boycott and how it brings the story of Dr. King into the 21st century, but I want to push back a bit at how you [&hellip;]</p>
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				<title>Carly McWilliams wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4451</link>
				<pubDate>Sat, 10 Oct 2020 14:22:31 +0000</pubDate>

									<content:encoded><![CDATA[<p>While I thoroughly enjoyed the film Boycott and its creative take on an ending scene&#8211;to fictionalize events of Dr. Martin Luther King Jr’s life and bring him into the present day&#8211;I personally found the ending s [&hellip;]</p>
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				<title>Carly McWilliams commented on the post, Danny and God, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/09/30/danny-and-god/#comment-88</link>
				<pubDate>Thu, 01 Oct 2020 17:23:09 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Eliza! I really enjoyed reading your post, I&#8217;m so glad you expanded more on Melba&#8217;s relationship with Danny! I also thought it was interesting how she prayed for Danny, especially after the scene in which he [&hellip;]</p>
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				<title>Carly McWilliams wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4397</link>
				<pubDate>Thu, 01 Oct 2020 03:34:47 +0000</pubDate>

									<content:encoded><![CDATA[<p>The prompt I&#8217;d like to discuss further is &#8220;prayers as letters to God,&#8221; but further thinking after Tuesday&#8217;s class period led me to modify this a bit to become &#8220;prayers as phone calls to God.&#8221; Let me know what you [&hellip;] <img loading="lazy" src="https://media.wnyc.org/i/800/0/c/85/1/Young_Melba.jpg" /></p>
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				<title>Carly McWilliams commented on the post, Iona and a &#034;Remaking of Home&#034;, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/09/20/iona-and-a-remaking-of-home/#comment-80</link>
				<pubDate>Tue, 22 Sep 2020 19:47:10 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hannah this is a great exploration of Iona&#8217;s significance in the film. The last scene with Iona and St. Julian riding off together is always dissatisfying to me because it does not fit either of the choices that [&hellip;]</p>
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				<title>Carly McWilliams commented on the post, The Time is (Always) Now, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/09/21/the-time-is-always-now/#comment-79</link>
				<pubDate>Tue, 22 Sep 2020 19:36:00 +0000</pubDate>

									<content:encoded><![CDATA[<p>Ty, I really enjoyed reading your post and I definitely agree with how you’ve applied the “world makers” and “space takers” to Daughters of the Dust! It’s also interesting how you bring up the idea of Daughters b [&hellip;]</p>
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				<title>Carly McWilliams wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4342</link>
				<pubDate>Wed, 09 Sep 2020 23:02:47 +0000</pubDate>

									<content:encoded><![CDATA[<p>After viewing Willie Cole&#8217;s artwork and discussing it this past week, I am most interested in looking at how the elements of domestic housework and strength/weaponry are connected in his work. Specifically, I [&hellip;] <img loading="lazy" src="http://religioninblackfilmandlit.voices.wooster.edu/wp-content/uploads/sites/344/2020/09/beauties-cole.jpg" /></p>
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				<title>Carly McWilliams commented on the post, The Power of Education and its Economic Impact, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/09/07/the-power-of-education-and-its-economic-impact/#comment-56</link>
				<pubDate>Tue, 08 Sep 2020 02:13:51 +0000</pubDate>

									<content:encoded><![CDATA[<p>Mason, I agree that the elements of education in Jonah&#8217;s Gourd Vine are really interesting to consider! After reading the novel I was thinking about Lucy&#8217;s character and how education played a role in her life. [&hellip;]</p>
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				<title>Carly McWilliams commented on the post, &#034;A Culture of Orality&#034; in a Troubled Southern Society: Understanding Where John is Truly Leaving for in &#034;Jonah&#039;s Gourd Vine.&#034;, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/09/07/a-culture-of-orality-in-a-troubled-southern-society-understanding-where-john-is-truly-leaving-for-in-jonahs-gourd-vine/#comment-55</link>
				<pubDate>Tue, 08 Sep 2020 01:47:55 +0000</pubDate>

									<content:encoded><![CDATA[<p>Sam, I think you have a compelling case for your interpretation of the creek-crossing scenes! I want to add to your theory with some of the imagery present in each of the scenes. On pg 12 when John is crossing [&hellip;]</p>
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				<title>Carly McWilliams commented on the post, Performance Aspects of Chanted Railroad Sermons, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/08/26/performance-aspects-of-chanted-railroad-sermons/#comment-31</link>
				<pubDate>Thu, 27 Aug 2020 12:26:01 +0000</pubDate>

									<content:encoded><![CDATA[<p>Thanks for trying out my questions, Hannah! I really like your last point about Zeke&#8217;s ending compared to other characters like Chick and Hotshot. While they both made individual decisions that led to their fate, [&hellip;]</p>
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				<title>Carly McWilliams commented on the post, A Capella and Speech to Song, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>http://religioninblackfilmandlit.voices.wooster.edu/2020/08/26/a-capella-and-speech-to-song/#comment-30</link>
				<pubDate>Thu, 27 Aug 2020 12:13:10 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Hannah! I read up a little bit about the musical In Transit that you linked on your post, and it sounds really interesting!! According to its website, the story is supposed to follow &#8220;the intertwined lives of [&hellip;]</p>
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				<title>Carly McWilliams commented on the post, King Vidor’s Hallelujah! Another Black Experience Told From a White Perspective: Pardon My Biased Breakdown Below , on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>http://religioninblackfilmandlit.voices.wooster.edu/2020/08/26/king-vidors-hallelujah-another-black-experience-told-from-a-white-perspective-pardon-my-biased-breakdown-below/#comment-29</link>
				<pubDate>Thu, 27 Aug 2020 12:02:42 +0000</pubDate>

									<content:encoded><![CDATA[<p>Olivia, I really enjoyed reading your post and the questions that followed. I was interested in seeing how the general public reacted to Hallelujah when it came out in 1929, and if they shared the same thoughts as [&hellip;]</p>
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				<title>Carly McWilliams wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4194</link>
				<pubDate>Wed, 26 Aug 2020 15:45:35 +0000</pubDate>

									<content:encoded><![CDATA[<p>After reading over the chapter &#8220;Train Travel and the Black Religious Imagination&#8221; from John M. Giggie&#8217;s book After redemption: Jim Crow and the transformation of African American religion in the Delta, 1875-1915, [&hellip;]</p>
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				<title>Carly McWilliams became a registered member</title>
				<link>https://voices.wooster.edu/activity/p/4396/</link>
				<pubDate>Thu, 01 Nov 2018 13:54:43 +0000</pubDate>

				
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