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	<title>Voices | Samuel Boudreau | Activity</title>
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				<title>Samuel Boudreau wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4656</link>
				<pubDate>Mon, 23 Nov 2020 17:24:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>Earlier, we discussed the symbolism of the train in Hurston&#8217;s Jonah&#8217;s Gourd Vine, Reverend J.M. Gates&#8217; &#8220;Death&#8217;s Black Train is Coming,&#8221; along with a secondary article, John M. Giggie&#8217;s After Redemption: Jim C [&hellip;]</p>
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				<title>Samuel Boudreau wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4643</link>
				<pubDate>Thu, 12 Nov 2020 08:41:25 +0000</pubDate>

									<content:encoded><![CDATA[<p>In &#8220;The Tale of Two Cities in James Baldwin&#8217;s Go Tell it on the Mountain,&#8221; Charles Scruggs of the University of Arizona argues that while many view Baldwin&#8217;s work as a Bildungsroman or as a particular [&hellip;] <img loading="lazy" src="https://religioninblackfilmandlit.voices.wooster.edu/wp-content/uploads/sites/344/2020/11/street-1209401_1920-1024x683.jpg" /></p>
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				<title>Samuel Boudreau commented on the post, Support for Christians in the LGBTQ+, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/10/29/support-for-christians-in-the-lgbtq/#comment-141</link>
				<pubDate>Fri, 30 Oct 2020 12:53:14 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Rekik,</p>
<p>I totally agree with your blog. In response to the third prompt, as you said, there seems tot be a large amount of religious leaders/organizations who still view homosexuality as a sin, and I wonder [&hellip;]</p>
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				<title>Samuel Boudreau commented on the post, Not the Question, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/10/29/not-the-question/#comment-140</link>
				<pubDate>Fri, 30 Oct 2020 12:34:27 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Cole,</p>
<p>I agree with your disagreement with the question, &#8220;disruption of normative discourses,&#8221; and I would like to focus on the term &#8220;normative&#8221; and ask, who gets to decide what the &#8220;normative&#8221; is? Around the [&hellip;]</p>
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				<title>Samuel Boudreau wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4572</link>
				<pubDate>Thu, 29 Oct 2020 13:45:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>Image by Free-Photos from Pixabay</p>
<p>In &#8220;Homophobia and Heterosexism in the Black Church and Community,&#8221; Kelly Brown Douglas &#8220;outline[s] the general contours of [Black homophobia] as it seeks to understand the re [&hellip;] <img loading="lazy" src="https://religioninblackfilmandlit.voices.wooster.edu/wp-content/uploads/sites/344/2020/10/couple-1149645_1920-1024x685.jpg" /></p>
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				<title>Samuel Boudreau wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4543</link>
				<pubDate>Thu, 22 Oct 2020 02:12:03 +0000</pubDate>

									<content:encoded><![CDATA[<p>Image by StockSnap from Pixabay </p>
<p>In &#8220;Very Many Hands,&#8221; Aaron Coleman establishes the landscape for his book, &#8220;Threat Come Close,&#8221; a collection of poems, by understanding the stories and experiences of mig [&hellip;] <img loading="lazy" src="https://religioninblackfilmandlit.voices.wooster.edu/wp-content/uploads/sites/344/2020/10/trees-2594607_1920-1024x683.jpg" /></p>
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				<title>Samuel Boudreau commented on the post, Boycott&#039;s Music Symbolism, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/10/14/boycotts-music-symbolism/#comment-117</link>
				<pubDate>Thu, 15 Oct 2020 02:17:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Maya, I greatly enjoyed reading this post and listening to the song that you included. While Boycott&#8217;s ending is comprehensive and compelling, might you possibly identify why the ending of four little girls [&hellip;]</p>
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				<title>Samuel Boudreau commented on the post, Keep. Moving. Forward., on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/10/12/keep-moving-forward/#comment-116</link>
				<pubDate>Thu, 15 Oct 2020 02:07:33 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Ty, I greatly enjoyed reading your post regarding the end of Boycott. As you note, it is important to realize that the Movement was not linear and clear cut. Do you believe that the ending of 4 little girls is [&hellip;]</p>
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				<title>Samuel Boudreau wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4453</link>
				<pubDate>Mon, 12 Oct 2020 22:06:05 +0000</pubDate>

									<content:encoded><![CDATA[<p>Mr. and Mrs. Chris McNair hold a picture of their daughter, Denise, 11, in Birmingham, September 16, 1963, as they tell a newsman about the bombing of the Sixteenth Street Baptist Church.  One day earlier, Denise [&hellip;] <img loading="lazy" src="https://religioninblackfilmandlit.voices.wooster.edu/wp-content/uploads/sites/344/2020/10/YJV6G5TSRAI6TEZRGC6FQNXURY-1024x688.jpg" /></p>
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				<title>Samuel Boudreau commented on the post, Black, White, and Read All Over, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/10/01/black-white-and-read-all-over/#comment-89</link>
				<pubDate>Fri, 02 Oct 2020 01:56:34 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Hannah,<br />
What a terrific post! I really like how you talk about how the newspaper headlines parallel Melba&#8217;s personal experiences, and how they offer an outsider&#8217;s view into the boiling tensions in Little [&hellip;]</p>
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				<title>Samuel Boudreau wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4398</link>
				<pubDate>Thu, 01 Oct 2020 03:47:09 +0000</pubDate>

									<content:encoded><![CDATA[<p>Reporter interviewing one of the Little Rock Nine 1957. Photo by Burt Glinn.Courtesy of  History Collection</p>
<p>In the early stages of Warriors Don&#8217;t Cry, the newspaper is seen as an everyday part of Melba&#8217;s life [&hellip;] <img loading="lazy" src="https://religioninblackfilmandlit.voices.wooster.edu/wp-content/uploads/sites/344/2020/09/Reporter-interviewing-one-of-the-22Little-Rock-Nine22-1957.-Photo-by-Burt-Glinn..jpg" /></p>
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				<title>Samuel Boudreau commented on the post, Is the Importance of Family Heritage Fading?, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/09/20/is-the-importance-of-family-heritage-fading/#comment-82</link>
				<pubDate>Tue, 22 Sep 2020 23:03:52 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Cole, To support this claim, I&#8217;m thinking about how the Dash article mentioned how Dash wanted to deviate from the typical Hollywood story. Especially in the opening scenes, there are many scenes, such as the [&hellip;]</p>
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				<title>Samuel Boudreau commented on the post, The Usage of Snead, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/09/21/the-usage-of-snead/#comment-81</link>
				<pubDate>Tue, 22 Sep 2020 22:58:41 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Jackeb,<br />
I think you bring up a couple off really interesting points about Mr. Snead in this movie. I appreciate how you identify that he serves many purposes throughout the film. As a viewer, it was really [&hellip;]</p>
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				<title>Samuel Boudreau wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4311</link>
				<pubDate>Mon, 07 Sep 2020 16:07:58 +0000</pubDate>

									<content:encoded><![CDATA[<p>As John makes is way to Alf Pearson&#8217;s plantation, he hears a sound which rattles his conscience, as the rumbling of a locomotive thunders by (Hurston, p.15). Astonished, by the &#8220;fiery-lunged monster, John tries to [&hellip;] <img loading="lazy" src="https://religioninblackfilmandlit.voices.wooster.edu/wp-content/uploads/sites/344/2020/09/image-1-1024x682.jpeg" /></p>
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				<title>Samuel Boudreau commented on the post, Celebrity Preachers, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/2020/08/26/celebrity-preachers/#comment-20</link>
				<pubDate>Thu, 27 Aug 2020 03:14:09 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Rekik, this is an interesting post on how the success of a preacher can impact how they view themselves. My question to you is how do you think the popularity of Zeke and his family changed how they viewed [&hellip;]</p>
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				<title>Samuel Boudreau commented on the post, Representation for Whom?, on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>http://religioninblackfilmandlit.voices.wooster.edu/2020/08/26/representation-for-whom/#comment-16</link>
				<pubDate>Thu, 27 Aug 2020 02:38:36 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Ty,<br />
You bring up a lot of great points, and I think, to answer your question, the film further damaged the black subconscious self image by attempting to show that the social movements of the 1920s would be [&hellip;]</p>
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				<title>Samuel Boudreau wrote a new post on the site Religion in Black Film and Literature (Fall 2020)</title>
				<link>https://religioninblackfilmandlit.voices.wooster.edu/?p=4214</link>
				<pubDate>Thu, 27 Aug 2020 00:39:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>In the early twentieth century, the symbolism of the train in the Mississippi Delta was at the center of African American religious perspectives. As noted in John M. Giggie&#8217;s After Redemption: Jim Crow and [&hellip;] <img loading="lazy" src="http://religioninblackfilmandlit.voices.wooster.edu/wp-content/uploads/sites/344/2020/08/Screen-Shot-2020-08-26-at-8.42.55-PM-1024x701.png" /></p>
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				<title>Samuel Boudreau&#039;s profile was updated</title>
				<link>https://voices.wooster.edu/activity/p/7915/</link>
				<pubDate>Thu, 30 Jan 2020 14:47:35 +0000</pubDate>

				
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				<title>Samuel Boudreau became a registered member</title>
				<link>https://voices.wooster.edu/activity/p/5751/</link>
				<pubDate>Wed, 21 Aug 2019 19:24:06 +0000</pubDate>

				
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